The Formation and Members of The Stone Roses – A Deep Dive into Their Legacy
Introduction
Few bands in British music history hold the mythological status of The Stone Roses. As one of the defining bands of the Madchester movement, their fusion of psychedelic rock, funk-infused grooves, and indie swagger made them the voice of a generation. In fact, as The Guardian puts it in their article "What Made The Stone Roses So Special?", their unique sound and cultural impact solidified their place in music history.
With only two studio albums, The Stone Roses reshaped alternative rock and helped lay the foundations for Britpop, inspiring Oasis, Blur, The Verve, and countless others. Their legacy is one of artistic brilliance, internal conflict, and dramatic comebacks, making them one of the most enigmatic bands of all time.
What This Article Covers
- The formation of The Stone Roses and the early struggles
- Each member's background, contributions, and life after The Stone Roses
- How the band influenced Madchester, Britpop, and global rock music
- What the members are doing today
- Further reading and references for deeper exploration
1. The Formation of The Stone Roses (1983–1986)
The Formation of The Stone Roses (1983–1986)
1.1 Early Years and Punk Roots
The story of The Stone Roses begins in Altrincham, Greater Manchester, where Ian Brown (vocals) and John Squire (guitar) attended Altrincham Grammar School for Boys. The two bonded over their shared love of punk and post-punk, inspired by bands such as The Clash, Sex Pistols, Buzzcocks, and The Jam. The raw energy and rebellious spirit of punk had a profound impact on them, instilling a DIY ethic that would shape their musical ambitions.
Their first band, The Patrol, was formed in 1980 with Brown initially playing bass and Squire handling guitar duties. They played a fast, aggressive brand of punk but failed to make a significant impact. The band gigged locally at Sale Annexe, South Trafford College, and Hale Methodist Church, recording a two-track demo featuring "Jail of the Assassin" (sung by Brown) and "Too Many Tonnes" (sung by Andy Watkins). The project soon fizzled out, and Brown briefly left the music scene while Squire continued refining his guitar skills.
As the post-punk and indie movements took shape in the early 1980s, Brown and Squire began rethinking their approach. They experimented with new sounds and ideas, moving away from raw punk energy toward a more refined and expansive sonic palette.
1.2 The Birth of The Stone Roses
By 1983, Brown and Squire regrouped, influenced by a broader range of music. Their inspirations now included:
- The Byrds – introducing jangly, psychedelic textures that would become a defining feature of their sound.
- Led Zeppelin & Jimi Hendrix – shaping Squire’s intricate, melodic, and blues-infused guitar work.
- New Order & The Smiths – infusing melodic, danceable elements into their songwriting.
- Funk & Dub Reggae – adding groove-heavy rhythmic structures, influenced by artists like Augustus Pablo and Sly & Robbie.
To bring their vision to life, they recruited:
- Andy Couzens (guitar) – a key early member who helped refine their songwriting.
- Pete Garner (bass) – who would later depart as the band evolved.
- Alan "Reni" Wren (drums, 1984) – his arrival completely transformed the band’s sound. A jazz-influenced drummer with an innate sense of groove, Reni introduced syncopated rhythms that set The Stone Roses apart from their contemporaries.
- Gary "Mani" Mounfield (bass, 1987) – replacing Garner, Mani locked in with Reni to form one of the tightest rhythm sections in British rock history.
This lineup began shaping their unique fusion of psychedelia, indie rock, dance grooves, and classic rock textures, culminating in their distinctive sound.
1.3 First Breakthrough: The Early Singles
Before The Stone Roses became icons, they went through an experimental period, refining their sound through a series of early releases:
- "So Young" (1985) – Their first official single, heavily influenced by their punk roots. It was a raw, aggressive track that bore little resemblance to the sophisticated sound they would later develop.
- "Sally Cinnamon" (1987) – A game-changing release. Often regarded as their first true Stone Roses song, it introduced their melodic, shimmering guitar work and wistful lyricism, laying the groundwork for their debut album.
- "Elephant Stone" (1988) – Produced by Peter Hook (New Order), this single showcased their emerging dance-infused groove, marking the transition to their signature sound.
By the time The Stone Roses entered 1988, their identity as a band was fully formed. Their sound had matured, their songwriting had become more refined, and they were ready to change the landscape of British music.
2. Meet The Stone Roses: The Members Who Defined Their Sound
Ian Brown – The Charismatic Frontman & Indie Icon
Overview
- Role: Lead vocals, occasional percussion
- Years Active with The Stone Roses: 1983–1996, 2011–2017
- Associated Acts: The Stone Roses, UNKLE, solo career
- Key Traits: Distinctive vocal delivery, rebellious attitude, mystical lyricism
Early Life & Musical Beginnings
Born Ian George Brown on February 20, 1963, in Warrington, England, Brown grew up in Timperley, Greater Manchester.
- As a teenager, he was obsessed with punk rock, idolizing bands like The Clash, The Sex Pistols, and The Jam.
- Attended Altrincham Grammar School for Boys, where he met John Squire, who would later become his bandmate.
- In his early years, Brown was more interested in playing bass rather than singing.
Brown's first musical venture was in a short-lived punk band called The Patrol, which also included Squire. Though the band never took off, it laid the foundation for their future collaborations.
Contributions to The Stone Roses
As the frontman of The Stone Roses, Brown’s hypnotic vocal style, confident stage presence, and defiant attitude played a key role in the band’s appeal.
Vocal Style & Lyrical Themes
Brown’s vocals were not conventionally powerful but had a hypnotic, mantra-like quality, which worked perfectly with the band’s psychedelic soundscapes.
His lyrics often explored:
- Rebellion & Anti-Establishment Themes – Songs like "I Wanna Be Adored" and "She Bangs the Drums" reflected an uncompromising, youthful defiance.
- Mysticism & Transcendence – Many lyrics hint at spiritual enlightenment, influenced by his interest in eastern philosophy.
Live Performances & Iconic Moments
Brown was never the most technically skilled singer, but he made up for it with swagger, charisma, and a sense of unpredictability.
Anecdote: The Spike Island Concert (1990)
One of The Stone Roses' most legendary performances took place at Spike Island in Widnes, Cheshire, on May 27, 1990.
- Dubbed the "Woodstock of the Baggy Generation," it was attended by over 27,000 fans.
- Brown walked onto the stage like a messianic figure, whipping the crowd into a frenzy.
Despite poor sound quality and technical issues, the event became mythical, cementing The Stone Roses' place in music history.
Post-Stone Roses Career
After The Stone Roses' breakup in 1996, Brown embarked on a highly successful solo career, releasing seven studio albums.
Key Solo Albums & Songs
- Unfinished Monkey Business (1998) – A raw, self-produced album that included the Stone Roses-influenced track "My Star".
- Music of the Spheres (2001) – Showcased his love for futuristic sounds and orchestral elements, featuring the hit "F.E.A.R."
- Ripples (2019) – His most recent album, featuring self-produced psychedelic rock tracks.
Collaborations & Side Projects
- Worked with UNKLE on "Be There", one of the biggest trip-hop collaborations of the late 1990s.
- Frequent collaborations with Noel Gallagher (Oasis) and Bobby Gillespie (Primal Scream).
Personal Life & Legacy
Political Views & Public Persona
Brown is known for his outspoken views on government, media, and social control.
- Famously clashed with music journalists throughout his career.
- His outspoken views on COVID-19 lockdowns and vaccines in 2020-21 caused significant controversy.
Influence & Legacy
- Noel Gallagher (Oasis): "Without Ian Brown, there’d be no me."
- His attitude and vocal delivery influenced Britpop legends like Liam Gallagher (Oasis) and Richard Ashcroft (The Verve).
John Squire – The Guitar Virtuoso & Visual Artist
Overview
- Role: Lead guitar, primary songwriter, backing vocals
- Years Active with The Stone Roses: 1983–1996, 2011–2017
- Associated Acts: The Stone Roses, The Seahorses, solo career
- Key Traits: Intricate guitar work, blend of classic rock and psychedelic sounds, artistic vision
Early Life & Musical Influences
Born John Thomas Squire on November 24, 1962, in Broadheath, Greater Manchester, Squire grew up fascinated by both music and visual art.
- Influenced by Led Zeppelin, Jimi Hendrix, The Byrds, and Johnny Marr (The Smiths).
- As a teenager, he was just as passionate about painting and sculpture as he was about music.
- Played in The Patrol with Ian Brown before forming The Stone Roses.
Contributions to The Stone Roses
Squire was the band’s chief songwriter and musical architect, responsible for:
Guitar Style & Influences
- A blend of blues, psychedelic rock, and jangle-pop, heavily influenced by Jimi Hendrix, The Byrds, and Led Zeppelin.
- Pioneered a swirling, delay-heavy sound that gave The Stone Roses their psychedelic edge.
Key Songs Featuring Squire's Genius
- "Waterfall" – One of the most beautifully crafted guitar riffs in British indie rock.
- "Fools Gold" – A groove-based masterpiece, blending funk, rock, and dance rhythms.
Art & Album Covers
Squire designed all of The Stone Roses' artwork, including the iconic Jackson Pollock-inspired debut album cover.
Post-Stone Roses Career
After leaving The Stone Roses in 1996, Squire formed The Seahorses, releasing "Love Is the Law" before disbanding.
- Later embarked on a solo career, releasing two experimental albums.
- Eventually retreated from music to focus on his artwork, which he continues to sell at high prices.
Legacy & Influence
- Noel Gallagher (Oasis): "John Squire is the best guitarist of his generation."
- His mix of classic rock virtuosity with indie aesthetics influenced bands like Kasabian, The Strokes, and Arctic Monkeys.
Gary "Mani" Mounfield – The Groove Master & Madchester Legend
Overview
- Role: Bass guitar
- Years Active with The Stone Roses: 1987–1996, 2011–2017
- Associated Acts: The Stone Roses, Primal Scream, Freebass
- Key Traits: Funk-driven basslines, infectious stage energy, Madchester party spirit
Early Life & Musical Influences
Born Gary Manuel Mounfield on November 16, 1962, in Failsworth, Manchester, Mani grew up surrounded by the burgeoning punk and post-punk scene of the late 1970s.
- He was a huge fan of Motown, Funkadelic, The Beatles, and Public Image Ltd, influences that would shape his fluid, groove-heavy bass playing.
- Before joining The Stone Roses, he played in local bands and honed his rhythm-driven, danceable bass technique.
Joining The Stone Roses & Transforming Their Sound
By 1987, The Stone Roses had already established themselves in the Manchester music scene, but they needed a bassist who could bring funk and groove to their sound. When Mani joined, everything clicked into place.
- Replaced original bassist Pete Garner, instantly improving the band’s tightness and live energy.
- His playing style elevated their rhythm section, allowing Reni’s drumming to become more expressive.
Anecdote: Mani’s First Rehearsal with The Stone Roses
Mani recalled walking into his first Stone Roses rehearsal and being blown away:
"It was like stepping onto a spaceship. I was playing with people who weren’t just in a band—they were in a gang, a movement. I knew this was the real deal."
Contributions to The Stone Roses
Mani’s basslines became a signature part of The Stone Roses’ sound, blending funk, dub, and classic rock influences.
Key Songs Featuring Mani’s Groove-Driven Basslines
- "Fools Gold" – His looping, hypnotic bassline is what makes this track legendary.
- "I Am the Resurrection" – Features one of the greatest bass grooves in indie rock history, leading the song’s epic jam session.
- "She Bangs the Drums" – The bouncy, melodic bassline elevates the song’s joyous energy.
Post-Stone Roses Career
After The Stone Roses split in 1996, Mani joined Primal Scream, where he remained until The Roses' 2011 reunion.
Primal Scream Era (1996–2011)
Became an integral part of Primal Scream’s reinvention, playing on albums like:
- Vanishing Point (1997) – A dub-infused, psychedelic masterpiece.
- XTRMNTR (2000) – One of the most aggressive and political albums of the era.
Developed a strong bond with Bobby Gillespie, becoming a core member of the Primal Scream live experience.
Side Project: Freebass (2004–2010)
- Formed Freebass, a supergroup with Peter Hook (New Order) and Andy Rourke (The Smiths).
- Though the project had high expectations, it collapsed due to creative conflicts and Hook’s personality clashes.
Personal Life & Legacy
Madchester Party Animal Reputation
Mani was always the heart of the party in the Madchester scene.
- Unlike John Squire and Reni, who were more reserved, Mani fully embraced the rock 'n' roll lifestyle.
- Known for his humor, positivity, and love for Manchester’s working-class culture.
Influence on British Indie & Dance-Rock
- His blend of funk, dub, and danceable grooves directly influenced bands like:
- Kasabian
- The Charlatans
- Arctic Monkeys (Alex Turner is a big Mani fan)
Alan "Reni" Wren – The Underrated Drumming Genius
Overview
- Role: Drums, backing vocals
- Years Active with The Stone Roses: 1984–1995, 2011–2012
- Associated Acts: The Stone Roses, The Rub
- Key Traits: Unparalleled drumming technique, jazz-infused grooves, ability to sing backing vocals while drumming
Early Life & Musical Influences
Born Alan John Wren on April 10, 1964, in Davyhulme, Greater Manchester, Reni was a child drumming prodigy.
- By his teens, he had mastered complex jazz and funk drumming techniques, taking inspiration from:
- Buddy Rich (jazz legend)
- John Bonham (Led Zeppelin)
- Clyde Stubblefield (James Brown’s drummer, a funk pioneer)
Joining The Stone Roses & Revolutionizing Their Sound
Reni joined The Stone Roses in 1984, completing their classic lineup.
- His ability to mix jazz, funk, and rock drumming made him one of the most technically gifted drummers in British indie music.
- Unlike most rock drummers, Reni could sing intricate harmonies while drumming, adding a unique dimension to the band’s sound.
Anecdote: "The Most Talented of Us All"
John Squire once said:
"Reni could play guitar better than me, bass better than Mani, and sing better than Ian. He was the most talented of us all."
Contributions to The Stone Roses
Reni’s drumming was the backbone of The Stone Roses, creating a rhythmic complexity rarely seen in indie music.
Key Songs Showcasing Reni’s Drumming Prowess
- "I Am the Resurrection" – Features one of the most intricate, free-flowing drum patterns in rock history.
- "Elephant Stone" – His breakbeat-inspired drumming influenced countless indie-dance bands.
- "Waterfall" – Showcases his ability to groove like a jazz drummer while maintaining rock intensity.
Post-Stone Roses Career & Disappearance from Music
After The Stone Roses collapsed in 1995, Reni vanished from the public eye for over a decade.
The Rub (1998–2001)
- Briefly formed The Rub, a band that never properly launched.
- Became a mystical figure, with rumors swirling about his whereabouts.
The 2011 Reunion & Abrupt Departure
- When The Stone Roses reunited in 2011, fans were ecstatic to see Reni return.
- However, he quit the reunion in 2012, citing internal tensions once again.
Personal Life & Legacy
Influence on Drummers
Reni’s unique fusion of jazz, funk, and rock drumming has influenced:
- Zak Starkey (The Who, Oasis) – Called Reni "a master of groove."
- Steve White (Paul Weller’s drummer) – Praised Reni’s technical brilliance.
The Mystery of Reni
- Rarely gives interviews and maintains a near-mythical status among fans.
- Still considered one of the best British drummers of all time.
Previous Members and Collaborators of The Stone Roses
While the classic lineup of The Stone Roses—Ian Brown, John Squire, Mani, and Reni—is what most fans associate with the band, several other musicians played key roles in the band's early years. These members and collaborators helped shape the development of The Stone Roses’ sound before the band reached its legendary status.
1. Early Members of The Stone Roses
Pete Garner – The Original Bassist (1983–1987)
Overview
- Role: Bass guitar
- Years Active with The Stone Roses: 1983–1987
- Why He Left: Felt out of place when the band started getting serious about success.
Contributions to The Band
Pete Garner was a founding member of The Stone Roses, playing bass during the band’s early years when they were still developing their signature sound.
- Played on the band’s first-ever single, "So Young / Tell Me" (1985).
- Part of the lineup that recorded early tracks like "Sally Cinnamon" but left before the band broke through.
Why He Left
Garner wasn’t as committed to the band as the other members and left in 1987. He later admitted:
"I had the best seat in the house watching them take off. But I knew I wasn’t the right bassist for where they were heading."
- His departure opened the door for Mani, whose funk-influenced playing helped shape the band’s definitive sound.
Andy Couzens – The Forgotten Guitarist (1983–1986)
Overview
- Role: Rhythm guitar, occasional backing vocals
- Years Active with The Stone Roses: 1983–1986
- Why He Left: Creative tensions with John Squire.
Contributions to The Band
Andy Couzens was a co-founder of The Stone Roses, playing rhythm guitar in the band’s earliest days.
- Played a crucial role in their punk-influenced early sound, before they transitioned into their psychedelic groove.
- Co-wrote "So Young", the band’s first official release.
Why He Left
Couzens clashed with John Squire over musical direction and control, leading to his departure in 1986.
- He later formed The High, a band that achieved minor success in the early ‘90s.
The Forgotten Drummers (1983–1984)
Simon Wolstencroft (Drummer, 1983–1984)
- Played with Johnny Marr and Andy Rourke in a pre-Smiths band before briefly joining The Stone Roses.
- Left before recording anything, later becoming The Fall’s longtime drummer.
Rob Hampson & Chris Goodwin (Drummers, 1983–1984)
- These two drummers played in the band before Reni joined.
- Neither lasted long, and Reni’s arrival in 1984 instantly changed the band’s chemistry.
Key Collaborators & Behind-the-Scenes Figures
The Stone Roses were not just the four members on stage—several key figures worked behind the scenes, shaping their sound, image, and live performances. From producers to DJs and road managers, these collaborators played crucial roles in the band's rise and influence.
Peter Hook (New Order) – Producer of "Elephant Stone"
Overview
- Role: Producer of "Elephant Stone" (1988)
- Why He’s Important: Helped guide The Stone Roses toward their psychedelic, dance-infused direction.
How He Influenced the Band
Before their self-titled debut album, The Stone Roses sought a producer who understood both indie rock and dance music. They found the perfect fit in Peter Hook, bassist of New Order, a band that had already blended post-punk with dance beats.
- He produced "Elephant Stone", their first truly Madchester-sounding track.
- Introduced groove-based basslines and danceable production techniques, which influenced Mani’s playing style.
Years later, Hook reflected on working with them:
"I knew straight away they were going to be something special. They had the attitude, the tunes, and most importantly, they had that belief in themselves."
Paul Schroeder – The Engineer Behind Their Classic Sound & Lost Second Coming Mixes
Overview
- Role: Engineer and co-producer of The Stone Roses (1989).
- Why He’s Important: Played a crucial role in defining the band’s sonic identity, working closely with John Squire to craft the ethereal, textured, and psychedelic sound of their legendary debut.
- Legacy: Beyond the debut album, Schroeder also worked on an alternate mix of Second Coming—a long-rumored, bootleg-only version that has been revered by die-hard Roses fans but has never seen an official release.
How He Shaped Their Sound
The Stone Roses (1989) – Crafting a Masterpiece
Paul Schroeder was the sonic architect behind The Stone Roses’ shimmering sound. Working as an engineer and de facto co-producer under John Leckie, his influence can be heard in every layer of the album.
- Worked with John Squire to create lush, atmospheric guitar textures—using layering techniques that gave the album its distinctive psychedelic wash.
- Emphasized Reni’s drumming, capturing the drummer’s intricate, funk-infused beats with crystal clarity, ensuring the album maintained a groove-oriented feel rather than a conventional rock backbeat.
- Helped balance melody, groove, and raw energy, ensuring the album’s flow was both expansive and hypnotic, yet accessible enough to launch The Stone Roses into the mainstream.
- Used reverb and delay to enhance the band’s natural chemistry, helping I Wanna Be Adored, Waterfall, and She Bangs the Drums sound timeless and cinematic.
Schroeder later reflected on the dynamic in the studio:
"Squire was meticulous in the studio, but Ian was about the feel. That push and pull is what made them so great."
This balance between precision and rawness was key to the album’s success.
The Lost Second Coming Mix – A Myth Among Fans
After the Roses finally began recording Second Coming in the early 1990s, Schroeder was again involved, though this time in a different capacity. While Second Coming had a heavier, blues-rock-oriented sound, Schroeder produced an alternate mix that reportedly:
- Stripped back some of the overproduction, making the album sound closer to the band’s live energy rather than a polished studio product.
- Emphasized Reni’s grooves, pushing the drums and bass higher in the mix, giving songs like Breaking into Heaven and Daybreak a looser, funkier swing.
- Altered some of the guitar textures, reducing the more Led Zeppelin-esque hard rock elements in favor of a more psychedelic, groove-based approach.
Though this mix was never officially released, it has become legendary among hardcore Roses collectors, circulating only as a rare bootleg shared between a very select group of fans. Some argue that Schroeder’s mix is superior to the official release, feeling it captures what Second Coming could have been if the band hadn’t been embroiled in turmoil and overthinking their return.
Legacy
Paul Schroeder’s contributions to The Stone Roses’ music cannot be overstated:
- Helped define the classic Roses sound on their debut, ensuring its place as one of the greatest British albums of all time.
- Brought out the best in the band’s groove, ensuring the delicate balance between Squire’s meticulous playing and Brown’s raw, instinctual delivery.
- Created an alternate vision of Second Coming that remains a Holy Grail for Roses obsessives, offering a glimpse of what might have been had the album taken a different path.
Though often overshadowed by John Leckie’s name in the official credits, Schroeder’s work remains integral to the Roses' musical legacy, and his elusive Second Coming mix only adds to his legend among the band’s most dedicated followers.
Dave Booth – The DJ Who Introduced The Stone Roses to Acid House
Overview
- Role: Resident DJ at The Stone Roses' gigs, including Spike Island, Blackpool, and Alexandra Palace.
- Why He’s Important: Introduced Ian Brown and the band to acid house, influencing their sound and aesthetic.
His Influence on The Band
Dave Booth was a pivotal figure in Manchester’s underground music scene. As a DJ at key clubs like Pips, The Playpen, and 42nd Street, he exposed The Stone Roses to Chicago house, Detroit techno, and Balearic beats.
- His eclectic DJ sets helped bridge indie and dance music, encouraging bands like The Stone Roses to incorporate grooves into their sound.
- His club nights helped define the Madchester aesthetic, creating the fusion of psychedelia, indie rock, and dance culture.
- Personally worked with the band to curate their pre-show music, ensuring the right atmosphere at their live performances.
Booth once recalled seeing The Stone Roses in 1985 and instantly recognizing their potential:
"I felt excitement, I felt arrogance, balls, and rock ‘n’ roll. Something special was happening. It felt like it was the future."
Legacy and Passing
Dave Booth remained a respected DJ for decades, with an 18-year residency at Garlands in Liverpool and stints in Ibiza, London, and Brighton. His work was underrated in historical accounts, but many who knew the scene recognized his immense influence.
When he passed away in May 2020, tributes poured in from the likes of Ian Brown, Peter Hook, and Dave Haslam.
Ian Brown wrote:
"RIP DAVE BOOTH ROSES DJ."
Peter Hook added:
"Such a lovely guy. He was the DJ at Joy Division’s first-ever gig at Pips. I will miss him."
Dave Haslam emphasized his role in shaping Manchester’s music culture, saying:
"His music and presence gave pleasure to us all. RIP."
Booth was one of the unsung heroes of the Madchester movement, and without his influence, The Stone Roses may never have embraced dance music in the way they did.
Steve Adge – The Stone Roses’ Road Manager & Inner Circle Confidant
Overview
- Role: Road manager, tour coordinator, and long-time associate of The Stone Roses.
- Why He’s Important: One of the most trusted figures in the band’s camp, helping to orchestrate their rise through early warehouse parties, chaotic tours, and beyond.
- Legacy: Beyond The Stone Roses, Adge later managed The Coral and continued to work with Ian Brown during his solo career before reuniting with the Roses for their 2012–2017 reunion.
How He Helped The Band
Organizing The Legendary Warehouse Parties (1980s)
Before The Stone Roses became a household name, they built their reputation in Manchester with a series of legendary warehouse parties. These underground gigs became the foundation of their cult following, setting them apart from other local bands. Steve Adge was instrumental in organizing these events, which helped establish their mystique:
- Rented disused warehouses and secret locations in Manchester, attracting growing crowds to the band’s high-energy live shows.
- Set up the logistics for sound, lighting, and security, creating an electrifying DIY atmosphere that made the gigs feel exclusive and rebellious.
- Helped promote the events by flyering the city and using word-of-mouth marketing, ensuring the right mix of fans, clubbers, and musicians attended.
- The warehouse parties connected The Stone Roses with the burgeoning Manchester dance scene, influencing their eventual shift towards groove-driven, acid house-inspired music.
These events were crucial stepping stones, proving the band could attract and mobilize a passionate audience even without mainstream industry support.
Touring with The Stone Roses – Managing the Chaos (1980s–19900s)
As the band gained momentum, Adge became their road manager, ensuring every live show ran smoothly despite the group’s unpredictable nature.
- Coordinated transport, hotels, and stage setups for the band’s increasingly ambitious tours.
- Worked closely with Ian Brown and John Squire, ensuring the duo had everything they needed to focus on performances.
- Acted as a peacemaker when tensions flared within the band or between them and external figures (promoters, journalists, label execs).
- Kept the band’s live shows on track, even as their reputation for unpredictability grew.
One of his biggest challenges was keeping the band together during the chaotic years leading up to their infamous legal battle with Silvertone and their lengthy delay in recording a second album. Through it all, Adge remained a constant figure behind the scenes, ensuring that The Stone Roses functioned as a live act despite the internal strife.
Post-Roses Career – Managing The Coral & Working with Ian Brown
When The Stone Roses imploded in 1996, Adge remained closely tied to the band’s members, particularly Ian Brown.
- Worked as Ian Brown’s tour manager during his solo career, continuing to oversee live performances.
- Later became the manager of The Coral, a Liverpool-based psychedelic rock band, helping guide their early success.
- Continued to work with Brown into the 2000s, maintaining their long-standing relationship.
The Roses Reunion – Back in the Fold (2012–2017)
When The Stone Roses reunited in 2012, Adge returned as part of their inner circle, helping coordinate their massively successful reunion shows, including:
- Heaton Park (2012) – 225,000 tickets sold across three nights
- World tours and festival appearances
- Final gigs at Wembley and Glasgow in 2017
Even as the band reassembled and once again fell apart, Adge remained one of the few figures to have stood by them through every era of their existence.
Legacy
Steve Adge is one of the unsung heroes of The Stone Roses’ story—from their earliest underground gigs to their final performances decades later.
- Helped launch the band’s career by organizing the warehouse parties that made them famous in Manchester.
- Managed their unpredictable live shows, keeping things on track during their rise to fame.
- Stayed close to Ian Brown, working with him throughout his solo years.
- Managed The Coral, helping another major British band find success.
- Returned for the Roses’ reunion, proving his longstanding loyalty to the band.
A crucial behind-the-scenes figure, Adge may not be as well-known as the band members, but his impact on their legacy is undeniable.
Cressa – The Fifth Stone Rose?
Overview
- Role: Unofficial member of The Stone Roses, touring dancer, hype man, and close associate.
- Why He’s Important: Played a key role in their live performances, helping shape their visual aesthetic and psychedelic groove.
- Connection to the Band: A longtime friend of the group, particularly close with John Squire and Mani.
The Scene-Stealer – A Live Performance Icon
Cressa was never an official band member, but during the late 1980s, he became a key part of their live identity. While many fans associate him simply with his onstage dancing, his role in The Stone Roses’ early rise was far more significant:
- He handled John Squire’s effects pedals live, ensuring the band’s signature psychedelic guitar swirls sounded perfect.
- He hyped up the crowd, creating an atmosphere at gigs that made their early live shows feel unique.
- He brought a visual presence—a flared-trousered, psychedelic figure, embodying the band’s blend of 1960s and modern influences.
Mani once described him as:
“The only person who could physically express what The Stone Roses sounded like.”
Cressa’s involvement peaked between 1988 and 1990, the band’s golden era, including legendary gigs at Blackpool Empress Ballroom, Alexandra Palace, and Spike Island. At these shows, his loose-limbed, acid house-infused dancing was as much a part of the spectacle as the music itself.
The Man Who Introduced Flares to Madchester
Aside from his onstage presence, Cressa was instrumental in defining The Stone Roses’ iconic look.
- He reintroduced flared trousers to Manchester fashion, heavily influencing Ian Brown’s and John Squire’s wardrobe.
- His psychedelic, loose-limbed style fit perfectly with the band’s aesthetic, bridging rock, rave, and 60s influences.
- This hippie-meets-modern look soon became a staple of Madchester fashion, influencing other bands and clubgoers alike.
Without Cressa, the visual identity of The Stone Roses—and by extension, the entire Madchester scene—might have looked very different.
A Mysterious Departure & Cult Legacy
As The Stone Roses grew in fame, Cressa’s role gradually diminished. While never an official member, he had been an integral part of their live shows—yet by the time the band was heading towards their Second Coming (1994), he was no longer part of the fold.
The reasons for this are unclear, but speculation includes:
- Tensions with John Squire—some reports suggest their friendship became strained as Squire took The Stone Roses in a more controlled, guitar-heavy direction.
- The shift in the band's sound—as they moved away from danceable grooves and psychedelia toward a Led Zeppelin-inspired rock sound, Cressa’s place in the band’s world became less relevant.
- The band's increasing dysfunction—as they took years to record their second album, many peripheral figures drifted away.
After leaving The Stone Roses’ orbit, Cressa remained a cult figure in the Manchester music scene, popping up occasionally with other musicians and DJs. Unlike many others from the era, he never capitalized on his association with the band, instead remaining a low-profile, underground figure.
Despite this, his impact cannot be overstated—for those who saw The Stone Roses live in their prime, Cressa was a defining part of the experience, a visual representation of the band’s sound, and an unsung hero of Madchester’s golden era.
Gareth Evans – The Infamous Manager
Overview
- Role: Manager (1986–1991).
- Why He’s Important: Helped propel The Stone Roses to stardom but also contributed to their legal troubles.
The Good
- Secured the legendary Spike Island gig (1990).
- Built their mystique, making them the coolest band in Britain.
The Bad
- Engaged in bitter legal battles over money and contracts.
- Accused of financial mismanagement, with band members claiming he took more than he gave.
Ian Brown later reflected:
"He was the right guy at the right time, but he took more than he gave."
Supporting Musicians in Later Years
Aziz Ibrahim – The Replacement Guitarist (1996)
Overview
- Role: Lead guitarist for The Stone Roses following John Squire’s departure in early 1996.
- Why He’s Important: Stepped into an almost impossible role, replacing Squire during the band’s final, troubled performances.
- Challenges: Despite being a highly skilled guitarist, Ibrahim’s style clashed with the band’s legacy, making his tenure short-lived.
Filling Squire’s Shoes – A Daunting Task
By 1996, The Stone Roses were in crisis. John Squire, the band’s primary songwriter and creative force, had left, disillusioned with the band's trajectory. Replacing him was never going to be easy, but Ian Brown turned to Aziz Ibrahim, a highly respected session guitarist with experience playing for artists like Simply Red, Asia, and Paul Weller.
Ibrahim was a technically gifted and versatile player, but stepping into Squire’s shoes was a near-impossible mission for several reasons:
- Squire’s intricate, layered guitar work was central to The Stone Roses’ identity. His unique mix of psychedelia, jangle-pop, and blues-rock was irreplaceable.
- The band’s chemistry was fractured. By the time Ibrahim joined, The Stone Roses were barely functioning as a unit, with tensions between Ian Brown and Mani, as well as Reni’s long-gone presence.
- Fan expectations were sky-high. Squire was beloved, and the idea of the Roses without him did not sit well with most fans.
Ibrahim later admitted:
"I was stepping into the shoes of one of the greatest guitarists of his generation. It was never going to work."
The Final Tour – A Band in Decline
With Ibrahim on guitar, The Stone Roses limped through a series of festival dates in 1996, culminating in the infamous Reading Festival disaster.
- His playing was solid but lacked Squire’s signature flair, making classics like Waterfall and I Am the Resurrection feel less magical.
- The band’s overall performance was lackluster, with Ian Brown’s vocals at an all-time low and a general sense of apathy from the group.
- Reading Festival 1996 was a career-ending moment. The set was plagued by poor sound, out-of-tune vocals, and a lack of energy, leading many fans to walk out.
Ian Brown later reflected on this era, saying:
"It wasn’t The Stone Roses anymore. It was something else."
Legacy
Despite the difficulties, Ibrahim remains an important figure in The Stone Roses’ history:
- He kept the band alive for a brief period, allowing them to fulfill their remaining commitments.
- He brought a different, more improvisational style to the band’s music, though it never fully fit.
- After The Stone Roses disbanded, Ibrahim continued to work with Ian Brown, playing a crucial role in Brown’s early solo career, particularly on Unfinished Monkey Business (1998).
While his tenure with The Stone Roses was short-lived, Ibrahim’s contribution serves as a bittersweet footnote in the band's story—a reminder of their collapse, but also of their determination to carry on, however briefly, in the face of inevitable decline.
Robbie Maddix – The Final Drummer
Overview
- Role: Drummer for The Stone Roses (1995–1996).
- Why He’s Important: Replaced Reni following his departure and played during the band's turbulent final years.
How He Influenced the Band
When Reni left in 1995, The Stone Roses needed a drummer to fill the void left by one of Britain’s most unique and technically gifted percussionists. They turned to Robbie Maddix, a drummer with a background in reggae, funk, and hip-hop rhythms.
- Brought a more groove-heavy approach, adding syncopated beats and funkier fills to tracks from Second Coming (1994).
- Played on the band's final live performances, including festival appearances and the ill-fated Reading 1996 show.
- Helped the band maintain a live presence, despite internal fractures and Squire’s looming departure.
Challenges & Legacy
- Joined at a difficult time, with John Squire quitting in 1996, effectively signaling the band’s collapse.
- Performed at the Reading Festival 1996, widely regarded as one of their worst-ever gigs, due in part to Ian Brown’s poor vocal performance and the band's disjointed chemistry.
Despite the tumultuous period, Maddix remains an important figure in The Stone Roses’ history. His tenure marked the end of an era, as the band dissolved later that year. After The Stone Roses split, Maddix continued his career as a session musician, playing with Black Grape and other artists.
Final Thoughts
The Stone Roses’ success wasn’t just about the four band members—it was a team effort, with DJs, roadies, managers, and producers all playing crucial roles. Figures like Dave Booth, Steve Adge, and Cressa helped shape their sound, style, and legacy, ensuring that The Stone Roses became one of the most iconic British bands of all time.
Influence of The Stone Roses Members
The Stone Roses' impact on British music cannot be overstated. From their signature blend of psychedelic rock, funk, and indie to their swaggering confidence and anti-establishment attitude, the band defined an era and inspired multiple generations of musicians across different genres.
Their influence extended in three major ways:
- Shaping the Madchester movement, directly leading to bands like Happy Mondays and Inspiral Carpets.
- Laying the groundwork for Britpop, inspiring Oasis, Blur, The Verve, and countless others.
- Impacting global indie and alternative music, influencing artists from Kasabian to Arctic Monkeys and beyond.
This section explores how each member of The Stone Roses left their mark on the sound, style, and careers of those who followed them.
Influence on Madchester & The Rise of Indie Dance Music
The Madchester movement of the late 1980s and early 1990s was born out of The Stone Roses' fusion of rock and dance music.
Before The Stone Roses, Manchester was known for post-punk bands like Joy Division and The Fall, but it lacked a youth-driven musical explosion that could unite rock and rave culture.
The Stone Roses’ Impact on Madchester Sound & Attitude
- Blending indie rock with danceable rhythms – Before them, indie bands rarely embraced funk-inspired basslines, shuffling beats, and grooves that fit seamlessly into club culture.
- The Hacienda connection – The band's music became a soundtrack to the acid house revolution, linking guitar music with rave culture.
- Swagger & Style – The Stone Roses had an effortless coolness, wearing baggy clothes, bucket hats, and loose-fitting shirts, a style later adopted by the entire Madchester scene.
Bands They Directly Influenced in Madchester
Happy Mondays
- Borrowed The Stone Roses’ fusion of rock and dance, but took it even further with a heavier funk influence and electronic beats.
- Shaun Ryder (Happy Mondays frontman) later said:
"We were running parallel to each other, but once The Roses hit, it made labels take us seriously too."
The Charlatans
- Tim Burgess (The Charlatans’ frontman) was obsessed with The Stone Roses, even mirroring Ian Brown’s laid-back vocal delivery.
- Their debut album Some Friendly (1990) built on The Stone Roses' style and became part of the Madchester wave.
Anecdote: "Fools Gold" and The Dance-Rock Revolution
When "Fools Gold" was released in 1989, it blew open the doors for Madchester bands to fully embrace dance music.
- DJs at The Hacienda immediately started mixing it into their acid house sets.
- Happy Mondays' producer Paul Oakenfold later said:
"Without 'Fools Gold,' you don’t get the Mondays' Pills 'n' Thrills and you don’t get the whole dance-rock crossover."
Influence on Britpop – The Birth of a New Generation
No Roses, No Oasis.
These are Noel Gallagher’s own words, and they sum up just how much The Stone Roses influenced Britpop.
Before Oasis, Blur, and The Verve, The Stone Roses set the blueprint for what Britpop would become:
- An indie sound with mainstream appeal
- Lyrics that spoke to working-class youth
- Swagger, arrogance, and belief in their own greatness
Ian Brown’s Influence on Britpop Frontmen
Oasis (Noel & Liam Gallagher)
- Liam Gallagher modeled his entire frontman persona on Ian Brown, from his swaggering stage presence to his cocky attitude.
- Noel Gallagher was heavily inspired by John Squire’s guitar playing, particularly in the way Oasis blended rock and melody.
- Anecdote: Noel Gallagher once traveled to watch The Stone Roses in Paris and said it was a "religious experience."
Blur (Damon Albarn)
- While Blur eventually took Britpop in a more art-school direction, Albarn was initially obsessed with The Stone Roses' blend of melody and groove.
- "She Bangs the Drums" directly influenced early Blur singles like "There’s No Other Way."
The Verve (Richard Ashcroft)
- Ashcroft was a huge Stone Roses fan and based his early singing style on Ian Brown’s.
- The psychedelic elements of The Verve’s early work were deeply inspired by The Stone Roses' first album.
The Stone Roses' Influence on Indie Rock & Alternative Music
Beyond Britpop, The Stone Roses left a lasting impact on alternative rock, indie bands, and post-Britpop artists.
Kasabian
- Blended dance beats with rock music, just as The Stone Roses had done with "Fools Gold."
- Tom Meighan (Kasabian frontman) idolized Ian Brown and frequently imitated his laid-back vocal style.
Arctic Monkeys & Alex Turner
- Alex Turner studied The Stone Roses' melodies and phrasing, using similar techniques in Arctic Monkeys’ later work.
- The band's 2018 album Tranquility Base Hotel & Casino has clear Stone Roses-style psychedelic influences.
Tame Impala
- Kevin Parker of Tame Impala has acknowledged The Stone Roses as one of his biggest influences, particularly in the way they layered guitars and built hypnotic grooves.
- Songs like "Feels Like We Only Go Backwards" and "Elephant" owe a debt to the way The Stone Roses constructed their jams.
The Stone Roses' Influence on Fashion & Attitude
Beyond music, The Stone Roses also influenced style and youth culture.
The "Baggy" Look & Hacienda Culture
- Bucket hats, baggy jeans, and Adidas trainers became the Madchester uniform, thanks largely to Ian Brown and Mani.
- Their look was adopted by Oasis, Kasabian, and even modern indie bands like Blossoms.
Attitude: The Blueprint for Indie Swagger
- Before The Stone Roses, British indie bands didn’t have the same self-belief as American rock bands.
- Ian Brown’s cocky, "we’re the best band in the world" attitude became the standard for Oasis, Arctic Monkeys, and Kasabian.
The Stone Roses’ Enduring Legacy
The Stone Roses didn’t just make great music—they created a movement.
- They birthed Madchester, inspiring Happy Mondays and The Charlatans.
- They laid the foundation for Britpop, influencing Oasis, Blur, and The Verve.
- They shaped modern indie music, leaving a mark on Kasabian, Arctic Monkeys, and Tame Impala.
Even though they only released two studio albums, their impact on music, fashion, and youth culture remains unmatched.
The Stone Roses weren’t just a band—they were a revolution.
Further Reading & References
For those looking to dive deeper into the history, legacy, and cultural impact of The Stone Roses, the following books, articles, interviews, and documentaries provide valuable insights into the band's rise, fall, and continued influence.
1. Essential Books on The Stone Roses
John Robb – The Stone Roses and the Resurrection of British Pop (1997, Updated 2012)
Why Read It?
- One of the most detailed accounts of the band's history, written by John Robb, a Manchester music journalist and musician who witnessed their rise firsthand.
- Features exclusive interviews with band members, friends, and industry insiders.
- Covers their formation, debut album, legal battles, breakup, and reunion in great depth.
Where to Find It:
- Available on Amazon, Waterstones, and independent bookshops.
- John Robb’s official website often features updates on his work.
Simon Spence – War and Peace: The Story of The Stone Roses (2012)
Why Read It?
- Based on 400+ hours of interviews with band members, managers, and those close to them.
- Digs deep into the band's conflicts and the chaos surrounding their legal troubles with Silvertone Records.
- A grittier, more dramatic look at the band compared to John Robb’s book.
Where to Find It:
- Available in hardcover, paperback, and Kindle editions on Amazon.
- Also sold in record stores and music bookshops.
Ian Brown – My Star: The Autobiography (Upcoming 2025 Release)
Why Read It?
- Expected to be Ian Brown’s first-ever autobiography, chronicling his life before, during, and after The Stone Roses.
- Will likely cover his upbringing, band struggles, solo career, and controversial public persona.
Release Information:
- Not yet available, but expected in 2025.
- Follow Ian Brown’s official Twitter and Instagram for updates.
2. Must-Watch Documentaries & Films
Made of Stone (2013) – Directed by Shane Meadows
Why Watch It?
- A powerful documentary following The Stone Roses’ 2011 reunion and world tour.
- Features never-before-seen rehearsal footage and interviews with the band.
- Directed by Shane Meadows (This Is England), a huge fan of the band who captures their legendary aura and raw chemistry.
Where to Watch:
- Available on Amazon Prime, Apple TV, and DVD/Blu-ray.
- Official Movie Page on IMDb.
Blood on the Turntable: The Story of The Stone Roses (BBC, 2004)
Why Watch It?
- A BBC documentary that dives into the legal battles between The Stone Roses and their former manager Gareth Evans.
- Features rare interviews with former members, industry figures, and insiders.
- Explores how bad business decisions nearly destroyed the band before they even reached their peak.
Where to Watch:
- Sometimes rebroadcasted on BBC Four or available via BBC iPlayer.
- Clips and full episodes can often be found on YouTube.
Live at Spike Island (1990 – Bootleg Recording)
Why Watch It?
- One of the most infamous live performances in British music history—The Stone Roses’ huge outdoor gig in 1990, often called the "Woodstock of the Baggy Generation."
- Though audio quality isn’t perfect, the footage captures the band's peak energy and the madness of the Madchester era.
Where to Watch:
- Available as fan-recorded bootlegs on YouTube.
- No official release, but clips appear in Made of Stone and other documentaries.
3. Online Articles & Features
BBC – The Story of The Stone Roses
Why Read It?
- A great starting point for anyone new to The Stone Roses.
- Covers the band's history, key albums, and impact on music.
- Features archived interviews with the band from the 1980s and 1990s.
NME – The Stone Roses: A Timeline of Their Career
Why Read It?
- A detailed breakdown of their major moments, from formation to breakup and reunion.
- Includes rare photographs, setlists, and behind-the-scenes stories.
Where to Read:
- Available via NME’s official website, under their archive section.
The Guardian – "What Made The Stone Roses So Special?"
Why Read It?
- Explores why the band remains legendary despite only releasing two albums.
- Interviews with musicians and critics who explain how The Stone Roses influenced Britpop.
Where to Read:
- Search for The Stone Roses on The Guardian’s music section.
4. Notable Interviews & Rare Footage
John Squire Interview (2012 – The Quietus)
Why Watch/Read It?
- One of John Squire’s rarest interviews, discussing his art, music, and feelings about The Stone Roses’ reunion.
- Squire explains how his paintings helped him process the chaos of the band’s success and downfall.
Where to Read:
- Available on The Quietus' website under their Stone Roses archive.
Ian Brown on BBC Radio 6 Music (2018)
Why Watch/Read It?
- Brown talks about The Stone Roses' influence, his solo career, and his views on modern music.
- One of his most candid, unfiltered interviews.
Where to Listen:
- Often replayed on BBC Sounds or available as clips on YouTube.
Final Thoughts
Whether you're a lifelong fan or new to The Stone Roses, these books, documentaries, and articles provide a deep dive into their legacy.
For first-time readers, start with John Robb’s book and the BBC documentary.
For serious fans, explore rare interviews, NME features, and live recordings.
The Stone Roses may have only released two albums, but their impact continues to be studied, analysed, and celebrated.
